Faith, for the Creatives

Being a Christian writing really nonchristian work

Though my faith is important to me, my work doesn’t fit into the rules of that genre. If you’ve read books from the Christian market, you probably picked up on that πŸ˜‰ Sorry, but my murderous psychopath protagonist isn’t gonna go to church and convert.

And yet, if you stick around long enough, you may hear about my faith on my blog and social media. It doesn’t make sense for marketing or branding purposes, I know. But here’s a peek behind the curtain of why. (Note: it’s not some sort of cheesy “hide it under a bushel” answer either.)

The problem:

There’s this perception within pockets of Christianity that if your art isn’t explicitly Christian in theme – if you’re not painting pictures of Jesus or writing Scripture on your artwork, if you’re not singing worship songs or at least angsty churchy themes, if you’re not writing clean Christian-themed books that wrap everything up in a tidy Jesus-saves-the-day bow – then you’re not using your gifts for God.

What further perpetuates that mindset is that it’s hard to find Christians who are doing their art in the general marketplace, not because they’re not there, but because their websites understandably don’t scream “Christian alert!”. It’s arguably easy to connect with artists in the marketplace. And it’s relatively easy to find Christian artists making Christian art. However, it’s hard to find Christian artists in the secular market. Their faith is not their branding, so they’re inconspicuous.

A solution…?

Kiera Cass was one of the first writers I found who has nothing to do with the Christian market but still mentions her faith. Matt Tommey and Alex Marestaing have both spoken at Karitos Christian Arts Conference about believers working in the secular market instead of separating ourselves into this Christian bubble. And I recently finished a book by Marlita Hill about “represent[ing] the Kingdom while…making ‘that kind’ of art,” (that’s an affiliate link, I may receive a portion of sales through that link). The book is an encouraging and hopeful book for this weirdly taboo topic in Christian circles. One day, I want to be what those people have been to me, an example to some artist who wonders if they can create nonchristian work and still honor their faith and their God.

I’m still learning how my faith plays into my writing. What I do know is: There’s not the Christian Amy and the writer Amy. It’s not two separate Amys, two separate lives; all pieces of me are intermingled. My writing, and my faith, together. They play into each other, perhaps in subtle ways rather than overt. If you look really closely, you just might see my faith as you read about my murderous psychopath protagonist. And when you look at faith really closely, it may not tie into the way you envision a Jesus-saves-the-day bow. It doesn’t always look like a good story, but it could still be a good story.

for the Bookworms, for the Writers

The Problem with Free E-books

Β Free E-books. It’s quite a wonderful concept that a debut author makes an e-book available for free in order to pique a reader’s interest and gain readership. At least that’s what I used to think. Then I read about 20 free e-books – some not-so-good and some quality. I still hated it.

The Problem

The author needs money for their work, I get that. The author needs to leave the reader hanging at the last sentence of the first book, so the reader feels the need to purchase the second. And so the story builds to the climax – and then ends. No grand finale. No resolution. Just the cliffhanger. The second book presumably leads to the conclusion the reader awaits. Think the style of β€œInkspell” or β€œCatching Fire” ending abruptly in the climactic moment, then β€œInkdeath” and β€œMockingjay” respectively concluding the story. The difference here being that this free e-book is likely the first story read from that author. We as readers are still evaluating the author, on if he/she is trusted with our emotions and worthy of our time. And to suddenly be dropped at such a moment, I lose confidence. Because it’s one thing to write a great beginning and a great middle. The mark of a great author though, is a great resolution. So I’m wary to spend my money in hopes of a great resolution when I don’t know the author yet.

My Solution

And that’s my dilemma with free e-books. As a writer, I don’t want to do that to readers. But I also think that a free e-book is great marketing if I can convince readers to purchase that my writing is worth their money. In a hypothetical future, I could see myself potentially publishing a free e-book short story to lead into a purchasable novel. But asking a reader to invest in a full-length novel with no resolution is personally devastating. I also would consider the first book in a series, complete with a resolution, as a free e-book – and then including a sneak-peek into the second at the end that leaves the reader hanging. But I think there needs to be a resolution for the reader’s first introduction to an author.

What about “The Selection?”

The SelectionΒ This brings me to β€œThe Selection.” I purchased “The Selection,” put down good money and trusted the publicity, readership, and – let’s face it – the cover, that this would be worth every penny. Then this book did not have a huge conclusion, other than knowing that the next round of the Selection was starting. Wasn’t even a free e-book and it left me hanging. Though I had yet to read a great resolution from this particular author, I was so hopeful that I purchased β€œThe Elite” and β€œThe One” together. Thankfully, I was not disappointed. Great job bringing it all together! I still wish there was a little more conclusion to the first, but in case you were wondering, it is totally worth the risk here. The political intrigue escalates, which is what I was really hoping for, that it would overpower the romance drama. And I go back and forth on who SHOULD end up with whom, as well as who WILL end up with whom. And the resolution is both satisfying and believable. So that’s my plug. Kudos, Kiera Cass.